 Details
Name: Projekt «PetrushkA In St. Petersburg».
Website:
http://www.myspace.com/shevnin
Categories: Media
Environment
Technology
Description:
«PetrushkA In St. Petersburg».\r\n\"The best remedy for CRISIS, NOT A COMPLAINT TO THE CRISIS, animations and loud.\"\r\nGENERAL KANSLER Germany, Angela Merkel\r\nVsevolod Meyerhold lifelong dream of reviving with Balagan and PetrushkA. Eisenstein and Kozintsev until 1929, continued the search for new\r\nforms of farce to the cinema.\r\n\r\nIndispensable and very important part of St. Petersburg culture were\r\nfamous city festivals and entertainment with their\r\noriginal genre, themes, images, verbal and entertainment, gaming\r\nart.\r\nRelevant components of this culture was Petrushka\r\n- A national hero doll. Favorite of many cities,\r\npopular throughout the vast space of Russia, St. Petersburg, he had\r\nhis face was unique, as is North Palmyra. Incarnation\r\nfreedom, irrepressible energy, the wise people\'s words\r\nand laughter, it is not accidentally turned alien impersonal Soviet\r\nreality and hold on for many decades in dusty cabinets\r\nmuseums, stood as a unique rarities.\r\nCreated by a journalist and poet Irina Dudina actual dome\r\nfor surprisingly mobile and multi-screens, invented\r\nsponsor, the curator of cultural programming fund Shemyakin - Yuri\r\nShevnin used not only for its intended purpose (as\r\ntheater screen), and at the same time witty, unconventional way\r\nadvertising.\r\nThe draft takes into account the charitable, educational and\r\nthe humanitarian side, the opportunity to engage in creative work of children\r\nand contemporary artists.\r\nToday, thanks to grant support for puppet theater and Petrushek\r\nfarce developed since 1999. With the advent of small form in St Petersburg\r\npublic buildings and advertising sites in shopping malls\r\nan opportunity to the evolution of Petrushka and business escorts through\r\nvarious forms of the grotesque and the fusion of modern art.\r\nBy withdrawing the recommendation of the project «Petrushka In St. Petersburg»\r\nA. F. Nekrylova - Professor of the Russian Institute of History of Art,\r\nauthor of the book - «Russian national holidays»\r\nThe modern theater must absorb all of the specific theater\r\nReceptions - pantomime, improvisation, a new mobile architecture, masks,\r\ntheatr paper, presentation and promotion of contemporary art, science\r\nand inventions in all fields.\r\nIn this case, the PV Annenkov in his time, wrote that it was time, finally,\r\nunderstand that the only form that can be Russian theater\r\nout of boredom, it is Balagan.\r\nThis was called the return of the theater to its original, which\r\nis a farce.\r\nTo the essence of farce, you will see that everything is happening here\r\nas a particularly wonderful, and not in kind, in the sphere of ordinary life.\r\nFor example, in balagane costume plays a very different role than that\r\nHe also plays in a regular theater. Entering the booth furnished\r\nis a special ritual, a special parade and mystery. Itself\r\nappearance farce, log into it attracts your attention to\r\nunusual type of DROPS form.
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